Welcome to
Your Morin Khuur Learning Guide

If you wish to learn more about our teaching and sharing method visit this page.
Jump directly to the Learning Guide
Jump directly to the Melodies

This guide is designed for adult beginners and composed of 9 steps. We will start by seeing the fundamentals as well as the background and origin of the morin khuur, and then we will move forward to all the various techniques available on the morin khuur to prepare you to learn its heritage (tatlaga, bii and urtiin duu). All the knowledge required to become a fantastic player is included!

If you are just getting started with the Morin Khuur, we suggest you to go through the steps 1 to 3 assiduously and carefully as they will help you build a solid base for your future learning! Also these various steps are built using the previous steps, therefore it is recommended to follow the order provided below.
If you are already advanced and more focused on melodies, we still advise you to go through the steps 5 to 8, even if lightly, in order to be more familiar with the vocabulary and the various techniques used to play the melodies.


Steps 1 to 3

Beginner

The steps 1 to 3 will prepare you with all the essential knowledge required to get accustomed to your instrument.
They cover its origin and history, its spirituality and symbolism, its traditions and worship, its maintenance, its playing position as well as give you recommendations for good practices. They also covers three ways to hold the bow presented on three different bows. Finally they will explain you in detail how to position your hand and fingers on the strings in order to play your first notes.

Jump to:
STEP ONE: Fundamentals of the Morin Khuur
STEP TWO: Holding the Bow
STEP THREE: First Notes + Bii Scale

Steps 4 and 5

Intermediate

The steps 4 and 5 will provide intermediate knowledge of the Morin Khuur.
They cover the accents on the bow and the vibrato.

Jump to:
STEP FOUR: Accents on the Bow
STEP FIVE: Vibrato

Steps 6 to 8

Advanced

The steps 6 to 8 will provide you with advanced knowledge specific to the traditional playing of the Morin Khuur.
They cover the harmonics, the thumb playing, the glissando and its variations and finally the tsokhilgo -which is close to the hammering technique- as well as its variations.

Jump to:
STEP SIX: Harmonics + Thumb Playing + Fourth Octave
STEP SEVEN: Glissando and Its Variations
STEP EIGHT: Tsokhilgo and Its Variations


Step 9

The STEP NINE will present you the intangible cultural heritage (tatlaga, bii and urtiin duu) of the Morin Khuur.
Jump to STEP NINE: Morin Khuur Heritage


Now, before getting started, find below two charts that will help you putting marks on the neck of your morin khuur as well as a notes chart that will help you while using a tuning app.

Notes Location Measurements

Notes Location Measurements
Chart with the measurements for the two bridges distance as well as for the location of the different notes.
The notes shown are for the commonly used F/Bb or Fa/Sib.

Enharmonic Equivalent Notes

Enharmonic Equivalent Notes
Chart that should help you find your way during the tuning of your instrument, if you are not too familiar with the note names and order.

Also note that the position of the lower bridge is usually around 10 to 11cm from the top of the box, and around 1cm above the position of the sound post.
For wooden instrument, it is usually around the middle of the F-hole shape.


MORIN KHUUR LEARNING GUIDE

Note that the STEP ONE was designed for people who are waiting for their instrument to be shipped. A way to get in touch with the instruments before having it in one’s hands. Once you received your instruments (and hopefully after following the STEP ONE) you can start with the STEP TWO and so on. Also, it is recommended to follow the lessons in order, but they are open, and you can jump to one or the other accordingly to your needs.


STEP ONE: Fundamentals of the Morin Khuur

25 lessons – xx mn

1.1. Presentation (2:40) (free)

STEP TWO: Holding the Bow

5 lessons – xx mn

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2.1 Presentation
2.2 The Different Holdings on the Different Types of Bow
2.3 Detailed Explanation of the Bow Practice
2.4 Bow Practice (Various Steps)
2.5 Troubleshooting of the Most Common Mistakes
2.6 Conclusion


STEP THREE: First Notes + Bii Scale

10 lessons – xx mn

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3.1 Presentation
3.2 Detailed Explanation on How To Play Notes
3.3 Presentation of the Linear Practice
3.4 Linear Practice – Lower String
3.5 Linear Practice – Higher String
3.6 Back and Forth Practice – Lower String
3.7 Back and Forth Practice – Higher String
3.8 Presentation of the Bii Scale Practice
3.9 Bii Scale Practice
3.10 Conclusion


STEP FOUR: Accents on the Bow

6 lessons – xx mn

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4.1 Presentation
4.2 “Jumpy” Accent Explanation
4.3 “Jumpy” Accent Exercises
4.4 “Wavy” Accent Explanation
4.5 “Wavy” Accent Exercises
4.6 Conclusion


STEP FIVE: Vibrato

4 lessons – xx mn

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5.1 Presentation
5.2 Detailed Explanation of the Vibrato
5.3 Vibrato Practice (Slow and Normal Pace)
5.4 Troubleshooting Vibrato and Advice
5.5 Conclusion


STEP SIX: Harmonics + Thumb Playing + Fourth Octave

6 lessons – xx mn

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6.1 Presentation
6.2 Playing and Holding Natural Harmonics
6.3 Playing Artificial Harmonics (fourth octave)
6.4 Playing with the Thumb and Introduction to Tsokhilgo
6.5 Playing the Zee (double string harmonics)
6.6 Conclusion


STEP SEVEN: Glissando and Its Variations

6 lessons – xx mn

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7.1 Presentation
7.2 Playing the Glissando
7.3 Playing the Gulsuulakh
7.4 Playing the Shuvtrakh
7.5 Playing the Shigshikh
7.6 Conclusion


STEP EIGHT: Tsokhilgo and Its Variations

6 lessons – xx mn

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8.1 Presentation
8.2 Playing the Dan Tsokhilgo
8.3 Playing the Sul Tsokhilgo and Davkhar Tsokhilgo
8.4 Playing the Kholboo Tsokhilgo
8.5 Playing the Tsavchikh
8.6 Playing the Nyatslakh
8.7 Playing the Tsokhilgo Shigshikh
8.8 Conclusion


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STEP NINE

Learn the Morin Khuur cultural heritage

Now that you went through all the theory knowledge,
you are ready to become an intangible cultural heritage bearer and learn the tunes of the Morin Khuur.

Tatlaga

Uruultei Sharga

Urtiin Duu

Coming soon…

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Learn with Bujee’s Lessons

UUGUUL is proud to share the work and lessons of Bouzhigmaa SANTARO aka Bujee, a researcher of Mongol Folk music with whom we have collaborated for more than a decade with a common goal.

Destined to all musicians who enjoy Mongol folk songs and wish to learn how to play them, her lessons are composed of music notations, lyrics as well as translations and explanations of their historical and cutural contexts. Note that as these are folk songs and issued from the oral tradition, the lyrics may vary from version to version and the title spelled a little differently.

We are very pleased to share these jewels with you! Each links redirect to her Youtube lessons.
Enjoy and happy learning!

Folk Songs

Check out the Folk Songs playlist.

Ailtgan Bariya (Ordos folk song/party song)
Altargana (Buryat folk song)
Alchuur Min Yagsan Be (Oirat folk song)
Aranjidmaa (Torghut folk song)
Arziin Chin Amt (Oirat folk song)
Bolzoo (Zakhchin folk song)
Bomboorei (Inner Mongolian folk song)
Boodogtoi Sevger (Khoton/Durvud folk song)
Gangan Borlog (Zakhchin folk song)
 Goyolog Khuurkhii (Khoton/Durvud folk song)
Yokhor (Buryat folk song and circle dance)
Nuunjiya (Khorchin folk song)
Saalichin Busgui
Siikhnii Khonkh (Bayad dance tune)
Sudgiin Nogoo – Part 1 (Mongol folk song)
Sudgiin Nogoo – Part 2 (Mongol folk song)
Sumaro – Semberuu (Khorchin folk song)
Chinggis Khaanii Magtaal
Edjin Duun (Kalmyk folk song)
Elstein Ganga Nutag (Darhad folk song)

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Happy practice and have fun!